L'absurde, c'est la raison lucide qui constate ses limites.
Camus (Albert)
" L'orgueil ne réussit jamais mieux que quand il se couvre de modestie. "
Chevalier de Méré
Il ne faut pas toujours tourner la page, il faut parfois la déchirer.
Achille Chavée
I POD Permanent
Am erican Music Club - Mercury
Aztec Camera - High Land Hard Rain
Babybird - Ugly Beautiful
Vic Chesnutt - Is the Actor Happy ?
Lloyd Cole and the Commotions - Rattlesnakes
T he Divine Comedy - Liberation
Jac k Frost - Jack Frost
Lisa Gerrard - The Mirror Pool
Giant Sands - Glum
The Go-Betweens - 16 Lovers Lane
Kristin Hersh - Hips and Makers
The House of Love - The House of Love
Nits -Ting
Belle and Sebastian -If You feel Sinister
The Smiths - Strangeways Here We Come
Kendra Smith -Five ways Of disapearring
M orphine - Good
Shelleyan Orphan -Helleborine
P refab Sprout - Protest Songs
The Weather Prophets - Judges, Juries and Horsemen.
Ever ything but The Girl - Eden
Kings Of Convenience : -Riot on an empty Street
Nick Drake : Pink Moon
Shivaree : I oughta give you a shot...
Sigur Ros - ( )
Bright Eyes - I'm Wide Awake It's Morning
Arcade Fire - Funerals
Mazzy Star : She Hangs Brightly
Cowbo y Junkies - The Trinity Sessions
David Sylvian - Secret of the Beehive
Coctea u Twins - Treasure
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Publié le 10/11/2006 à 08:32
Par ludur
 WOMAN IN A BAR Idealised vision of a woman through a smokefilled twentieth century screenplay Advancing Towards protagonist with paperback and beer Manifestly failing to disappear Now that the children are asleep You want to play But you’re so lazy She walks into the bar And there you are Still life watercolour Woman In A Window Considers role of kitchen sink drama queen Stage left - protagonist with cigarette and pen Considers form of racehorses, IBM Declining issues led advancing two to one In slow trading She walks into the bar And there you are No longer angry No longer young No longer driven to distraction Not even by Scarlett Johansson A few moving parts Need to be replaced The engine starts But only on Tuesdays but look at it this way - Now that the children are asleep You want to play But you’re so lazy She walks into the bar And there you are Idealised vision of a woman through a smokefilled twentieth century screenplay Advancing Towards protagonist with paperback and beer Manifestly failing to disappear..
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